In Tokyo Compression, Wolf captures the boredom and despair of Japanese train commuters, smushed into cars dampened by the heat of humanity. For Backdoor, he ventured into the alleys of Hong Kong and witnessed people using the infrastructure of the city for storing, sorting, and drying all sorts of things, from after-work clothes to mops to lettuce.
this is great thank you for sharing
I really liked how Miyamoto talks about how he was one of the first storytelling-focused “artists” in the industry, as opposed to being a more technical type, as well as the little breakdown of the beginning of the 1st level in SMB in this Vox vid:
Nice Pebble Round there.
I’m gonna try to grab a Pebble 2 soon.